It's not clear what Christopher Adams' chemsex-themed queer noir, Tumulus, wants to be. The jokes aren't sharp enough for it to function as a comedy, its darker themes aren't explored …
Travis Alabanza's participatory BURGERZ confronts gendered repression, structural complicity and the way they've learnt to effectively process trauma - with piercing writing, an impassioned central performance and a tricksy and intelligent …
The greatest strength of the British Theatre Academy's Spring Awakening the Musical is, patently, its young cast. Though 'less' may have been 'more' with regards to direction and choreography, the formidable …
The strong acting performances and compelling subject matter may be weakened by the disjointed pacing of the denouement, but We Need To Talk About Bobby (Off Eastenders) at the King’s Head …
Really Want To Hurt Me is a beautifully understated and sensitively performed one-hander - charting the oppression, resulting self-hatred and eventual reinstatement of identity of one teenager growing up in 1980's Exeter. Playwright …