Darkfield's Coma is the immersive company's best yet - with off-the-chart production values that make this weird journey of pills, dreams and unconsciousness incredible. The shipping container outside Summerhall is …
A random audience member gets sucked into an improvised love story with a clown. The idea behind Rebecca Northan and Spontaneous Theatre's Blind Date is great, but it always feels …
Six survivors of prolonged physical and psychological violence top up your cider cup, compliment you on your jacket and check you know how to play pass-the-parcel. Smack That (a conversation)'s …
For newcomers to immersive theatre, Exit Productions' Fight Night will leave a serious impression - an ambitious, skilfully executed and genuinely entertaining dive into the deceit and lawlessness of a subculture. …
Simon Katan and Luke Fraser's Clamour could have been a thought-provoking and multimedia “choose your own adventure”, but devolved into a meandering installation that lacked vigour. Upon entering a theatre, we're usually met …
Hamlet (An Experience) is marked by a great concept from director Kolbrun Bjort Sigfusdottir and terrific acting from Emily Carding - but the participatory element, in practice, takes away from …
Arming its audience with binaural headphones, Wet Picnic's I'd Be Lost Without It focuses on contemporary addiction to smartphones and the inverse relationship between 'connection' - on a virtual level - …
Steen Raskopoulos: The Coolest Kid in Competitive Chess is a real lesson in audience-led sketch comedy. The craft on display is hugely impressive, and the content is intelligent, brave and …
An intimate two-hander at Theatre N16, AI Love You presents both sides of a captivating argument surrounding artificial intelligence and agency. The concept is compelling, the writing is intellectually stimulating, …
Commendable for its ambition, but too many variables spoiled the broth. 101 turned into little more than an audience giggle-fest - and I'm not sure that's the reaction Oneohone wanted. One thing I …