A one-woman version of Macbeth is already an interesting concept - and here, Korean theatre company Choin's concept translates the Scottish Play's protagonist into an actor obsessed with the play …
Hong Kong-based Theatre Ronin's Hoichi the Earless seduces its audience with the precision of its actors, and effective use of live Nanguan music. Based on a tale from Japanese mythology, Hoichi …
Misanthrope Theatre's adaptation of Ubu the King contains a series of visually effective moments - but the plot is challenging to keep up with, and the performers appear so fixated …
Oliver Bennet plays A Hero of Our Time's Byronic protagonist with all of the charm originally written into Pechorin - in a confident adaptation by v&o/HUNCHtheatre. An adaptation of the Russian novel …
With a fun concept and copious amounts of energy, EDP Soonchunhyang University’s Korean imagining of The Taming of the Shrew is a joy to watch. The Taming of the Shrew, as performed by …
Comedian Cristina Lark’s ode to procrastination, Caution: Deadline Ahead, lacks direction but overflows with charm - making the audience confident she really can pull it off in the end. Cristina Lark …
Fever Dream Theatre's Basecamp excels in its representation of women as strong, hungry for success and competitive - but struggles to sustain momentum after the audience accustom to its immersive …
Hsing Legend Theatre's Wu Song - The Tiger Warrior is a great way to immerse yourself and the whole family in Chinese theatre and literature. Wu Song - The Tiger Warrior …
An absurdist play with socio-political undertones and potential, Fear No Colours' Bucket Men creates an uncanny world that could go even weirder. The world of Bucket Men is white, sterile, uncannily ordered. …