Travis Alabanza's participatory BURGERZ confronts gendered repression, structural complicity and the way they've learnt to effectively process trauma - with piercing writing, an impassioned central performance and a tricksy and intelligent …
Québécois circus company Flip Fabrique return to the Southbank after last year's presentation of Catch Me (Attrape Moi) with Underbelly's first main space headliner of the summer, Transit. A thrilling …
Having been fortunate enough to see the vast majority of headline shows that Underbelly's programmed in the 11 years since they set up shop on the Southbank, I'm confident that …
A 29-year old and her half-eaten bowl of Cheerios gaze up (in awe or trepidation - it's ambiguous) at a messy iMovie project entitled 'seethrough_vaultfestival'. Claire Gaydon's deceptively sophisticated See-Through …
Six survivors of prolonged physical and psychological violence top up your cider cup, compliment you on your jacket and check you know how to play pass-the-parcel. Smack That (a conversation)'s …
A colourful aesthetic doesn't manage to disguise a slight lack of playfulness and cohesion in Lost in Translation's family-focused Hotel Paradiso. Stunts engage its young audience, but I'm unconvinced its …
Malaprop's bout against the ferocity and paradoxes of the internet is dexterous and bold and sprawling, but for me, somewhat lacking in focus and heart. A journalist grapples with a brief …
Building on the discourse that ensued in January 2018 amidst Aziz Ansari's allegations of sexual misconduct, Anonymous Is A Woman's promenade Greyscale is intelligent in form and measured in perspective …
For newcomers to immersive theatre, Exit Productions' Fight Night will leave a serious impression - an ambitious, skilfully executed and genuinely entertaining dive into the deceit and lawlessness of a subculture. …