The Handmaid’s Tale meets quarantine horror in Park Theatre's Beirut: an intense two-hander that feels both outdated and badly produced. Beirut is an intense one hour about a ‘positive’ named Torch who is …
As dark as it is witty, Athena Steven's Schism is a well-crafted tale of ambition, love and what happens when women succeed. Schism opens with Harrison, a middle-aged maths teacher, presenting an …
Lyrical, melodic and beautifully soundtracked, Out of The Forest's Bury the Hatchet was a joy to behold. As a general rule, metatheatre makes me squirm. I find it self-conscious, cloying, and …
Funny and fast-paced, Timothy has all the potential to be a triumph - if only the women weren’t all two-dimensional archetypes, leaving the play feeling shallow and lacking in any sort …
New work from Swedish playwright Katie Berglof, Happy Yet? explores the reality of living with a relative suffering from mental health problems. But through its attempted humour, the production just ends …
A bully and her victim reunite 20 years on over a strange and dark proposition. However, this new production of The Wasp fails to deliver the full stinging impact I …
Brave, bold and vibrant. There is a lot to be impressed by in this production, however, The God of Hell need a little tighter vision to stop it fraying at …
With a promising script and interesting ideas, Dead Souls would be a fantastic show if it just stopped trying to do too much at once. Dead Souls is a new production …
A well-intentioned but badly executed love letter to Irish theatre at the Hen and Chickens Theatre, The Passion of the Playboy Riots needs a bit more passion and a lot …